April 29, 2011

Hello Neighbor - Art Project Discovery


 When I moved into our new house last November I thought of an interesting photography project for myself.  It involved me going door to door to introduce myself to my neighbors and then ask if I could photograph them sitting on their couch.  The project is called, "58th street."  Well, I allowed my shyness and worrying about people thinking I am a creep thoughts take over and the project never happened.

Today I was happy to stumble upon a blog dedicated to a project very similar to the one I described.  Instead of focusing on the people living inside the house, this artist seems to focus on the design and interior decoration of the house in order to get to know a stranger.  Artist Liz Arnold of New York visits folks who invite her over and photographs their houses.  The project stemmed from her day job involving writing about design that she only saw through jpeg images and wanting to see it in person.  What a great excuse to get to know your neighbors and strangers.  What a great way to introduce the rest of the world to someone, through such an intimate space as the inside of a home.


I love design, I am obsessed with the idea of a stranger and am often labeled a voyeur.  I should say this blog, Homebodies, is just for me.

What do you think?  What can you learn about someone through the materials they possess? 


**images courtesy of Liz Arnold**

April 28, 2011

Take 5: Art Break Day 2011-Youth Art Contest

The intention of this contest is to honor youth and their creativity 
in our society through their most unique and empowering voice ---their Art.


Contest Description:
We would like to invite youth from the cities of Richmond, Berkeley, San Rafael, Oakland,and San Francisco to participate in this amazing community Art Contest. One winner will be selected from each city. Their artwork will published on Take 5: ARTbreak Day’s banner, marketing materials, and forever on Art is Moving’s website. Also, the selected artist’s original artwork will be on exhibition at ARTbreak Day on September 2nd, 2011 at the San Francisco Art Site and featured in the traveling art exhibition.

We would also love to feature your school/organization through a blog post.  If you are interested, please send pictures of the childrens/artists making their artwork a short narrative paragraph about the experience of making art for this contest.  We will post the images and paragraph on Art is Moving;s Blog http://artismoving.blogspot.com/.


Youth ART Contest
Deadline for contest is June 10th
www.artbreakday.com

“Why is ART important in your community?” 

Get Published!

Be part of an Amazing Community ARTreach Project!!

We would like to invite youth from the cities of Richmond, Berkeley, San Rafael, Oakland, and San Francisco to participate in this amazing community Art Contest. One winner will be selected from each city. Their artwork will published on Take 5: ARTbreak Day’s banner, marketing materials, and forever on Art is Moving’s website. Also, the selected Artist’s original artwork will be on exhibition at ARTbreak Day on September 2nd, 2011 at the San Francisco Art site and featured in the traveling art exhibition.

ARTwork criteria

Theme:  Art needs to be created around this question- “Why is ART important in society and in our communities?”
Mediums: All 2-dimensional, must be on 8 x 10 sheet of paper
Size:  8 x 10 image
Deadline:  June 10, 2011
For more information contact: artismoving@gmail.com

April 24, 2011

The ARTbreak Day Adventures-Day 2

Day two log of our ARTbreak Day Meetings

ARTbreak Day Adventures-Day 1 log.


7:30 am awake.I slept really well! I have to say,Lauren is an early riser. I am a total advocate for slow mornings, but we had to get things done. We have an ART revolution to start :)

8:10 am drove to the BART station with Lauren's husband Tom.
8:30 am we all took the BART into San Francisco
San Francisco
9:00 am we got off at the Embarcadero and our first stop was Kinko's to make more copies of our ARTbreak Day fliers to hand to local business owners.
9:15 am we ate breakfast and then walked to Union Square were are ARTbreak Day art hub will be located. 
10:00 am we started shooting our ART Break Day promo video in Union Square  for our KickStarter page. We did four shoots-the stair rail was our cinematographer. Our KickStarter donation page will be up soon!


11:00 am Lauren and I walked over to the new Dick Blick Store in San Francisco on Market Street. There we met the manager Frank Pastor. The store is so beautiful and a gold mine for any creative. At this time we received from Dick Blick our first sponsorship donation for Take 5: ARTbreak Day 2011! Yahoo!!! Thank you Dick Blick and Frank Pastor!!

12:00 pm We approached business's in Union Square for sponsor and support. We talked to a super nice conceirge at the St Francis. I gave our media packet to the PR department. This sparked a great idea for us to approach all the conciergers in the hotels surrounding of our Take 5: ARTbreak Day 2011! art sites. 
12:45 pm We also spoke to the folks at the Academy of Art in San Francisco for art mentor opportunities and support.
1:15 pm Also, we dropped the Levi's Store on Post Street
and spoke to the manager for sponsorship and volunteers with gave her our media packet
1:30 pm Then we stopped by 111 Minna Gallery for sponsorship and from an arts org support in San Francisco.


Are you exhausted yet! We were! Day two of our intensive meeting schedule started to hit us hard. It has been over a week and I am still in recovery.


Lauren on BART

Berkeley
2:10 ish we hopped on the BART to go to the city of Berkeley. We were suppose to have a meeting with Deborah,the director Downtown Berkeley  Association but she had cancelled and left a package information taped to her office door. 
2:30 pm We desperately needed lunch and I needed my Jupiter's fix. Lauren and I ate lunch. We both had salads at Jupts. We also spoke with the manager about sponsorship.
3:10 pm We walked over to Freight and Salvage and spoke to manager about sponsorship and we had a WOW! They were having a free concert for Maestro Ali Akbar Khan’s Annual Birthday Tribute. Lauren and I sat down for a five minute musical art break and lost ourselves in the Sitaar. Sweet.
3:30 pm We went over to PIQ Italian Deli
to speak with the owner about ARTbreak Day. He was in a meeting, so we left a media package with the girl at the counter. 
Oakland 
3:45 pm We took BART to the 12th street station, were Frank Ogawa Plazawhich is the site of our Oakland ARTbreak Day. 
4:10 pm We went into the City Hall to introduce our selves to Steve Huss of Oakland Arts CouncilHe was gone and we left a package with a nice co-worker of his.
4:20 pm We walked down to 19th and Grand to meet our fellow JFKU Alum and volunteer for ARTbreak Day 2011-Nicole.
5:00 pm We had coffee with Nicole.And chatted about her role in ARTbreak Day 
5:30 pm Our Day was done! and we had to get to a party by 6:30 pm!! We had a successful two days of meetings.
I left that the next day on Saturday from SFO at 3:00 pm and flew back home to LA. 



L & L (that us) saluting ARTbreak Day 2011 @ the end of day of our two day intensive of meetings with folks in our Take 5:ARTbreak Day 2011 city ARTreach sites!!


















WOW!!!
We had really accomplished a lot in those two days. We made some amazing connections. And now we have so much left to do!! We still need to finalize two of the cities sites,find eight art mentors, find more volunteers,contact all the local business at each site, and we need to raise 38K to meet our fundraising goal. Folks we really appreciate and need your help! 
Are you wondering-how can you Help? 
  1. Donate, donate, donate Click HERE to donate now! Your tax-deductible donation provides crucial support for this projec. Every single donation no matter how small or large is indispensable and intrinsic in helping us create a successful Take Five: Take an ARTbreak Day!
  2. Spread the Word! E-mail this post to your friends, post it on your Blog, on Facebook and Twitter. 
  3. Help us find Sponsorship!  Email us if you know someone who might be interested in sponsoring Take 5:  Art Break Day. (our email:  artismoving[at!]gmail[dot!]com)
  4. Become part of our ARTmentor Team.  We are looking for 8 ARTmentors to help us prior, during, and after the event with several different tasks.  Check out the website for more info.
  5. Volunteer. We have over thirty volunteer positions available.
  6. Have fun with us in September!   Put September 2, 2011 on your calendar NOW so you don't forget to come out and TAKE AN ART BREAK for free!
 We hope you will join us in making
Take 5: Art Break Day a stellar success!!



April 20, 2011

I am an Artist: Krisha Raye, Wisconsin

I love our I am an Artist Project for many reasons, but especially because we are collecting such a diverse group of artists.  I am happy to add another sculptor and jewelry artist to our list!



1. Why are you an artist?

I've done many things in my life, but I always came back to art. I've strayed away for periods of time as I would become discouraged when I saw art that was so phenomenal done by people the same age or younger than me, and I would look at my own creations and become embarrassed by what I had previously thought turned out really well. It took me some time to come to terms that my style was different and I had to learn to not compare Picasso with cave drawings. My father is an exceptional artist, so either I inherited some of his talent or was just so inspired by him that I kept drawing. My father's generous reply of "Oh that's wonderful Krisha!" to my scribbles of elephants and princesses surely helped to encourage me. I stick with it because because it's what I have to offer this world. Creating art is like pulling personal gifts out of my soul and offering it up in appreciation for my existence.
  
2. Why do you use the medium that you use?

I love to sculpt, but I cannot afford a kiln. I worked with Sculpy clay but I always wanted to incorporate gemstones into my creations and most gemstones react quite poorly to being shoved in an oven. Then by fate I discovered Rebecca Thomson's work (rebeccathomson.com) and a voice screamed inside me 'That is it!' But her website doesn't mention what medium she uses. A year later I discovered epoxy clay and I have been playing with it non-stop. 

3. Can you talk about your work? What is your vision?

Even though some of my work is based off the natural world, I intend it to be a branch between worlds--the world of dreams and manifest reality. To deny that other side of us is to miss out on something really fascinating. I can't say I really have a vision for my work aside from people appreciating it. Then I know I have done my job as an artist, I have caused an emotional reaction in someone. My wish is to inspire people, to be a catalyst for original thoughts and visions.

4. How and why does the natural world influence you work?

It's funny because most of my previous work is fantasy based, but since I've been working with the epoxy clay I've been creating turtle and bear claw pendants. I love creating these--although the general form is the same, I can make each one unique with how I carve and paint them. My other epoxy creations are made around the crystals or stones and I just see what happens with the clay--they are abstract and accidental forms, a natural creation in their own right. I've had a lifelong obsession with collecting rocks and pebbles and shells and now I can actually do something with them besides horde them. I prefer to create things that look more ethnic or primitive as it seems to blend in better with the natural world. It is also my rebellion against this cookie-cutter society that places so much importance on flawlessness and perfection.

5. Has any great work of Art made you extremely emotional? If so which one and why?

I've never become extremely emotional at a work of art, but there is a painting in the Milwaukee Art Museum which I am held captivated by and could gaze at for hours: The Two Majesties (Les Deux Majestés) by Jean-Léon Gérôme. It speaks to me on a level that words would never properly convey. It gives me a sense of peace and perfect solitude and unity with Life.


6. What is the art scene like in Wisconsin?

I am more familiar with the Milwaukee and Door County area art scene and in my opinion it is pretty reserved. In Door County you can find some funky art on occasion. I recently went around to many galleries in the greater Milwaukee area looking for a collection of art that I would consider ethnic/tribal/bizarre/cutting-edge and couldn't find anything. Wisconsin is one of those places where nature is so beautiful that most artists will focus on portraying the natural world with a conservative, elegant style. The place to find all the cool art that doesn't make it into the galleries is at Summerfest or the State Fair. A few Milwaukee shops and cafes will also lend their walls to painters with unique style or subject matter.

7. What is the role of the artist in our society?

I believe the role of an artist in our society is Inspiration! Art comes in many forms and many people are drawn in by moving pictures. Thousands flock to the cinemas every weekend to see something that transports their mind and causes an emotional response. What more can an artist ask for than to be able to do that to those who gaze at their creations! Art is a kind of language. There is so much more to life than what mere words can express but a picture or a sculpture has the ability to communicate on many levels without words.

8. Where do you see yourself as an artist in 5 years?

I've never been good at forecasting my own future. When I try to imagine where I will be at (realistically) I draw a blank. Which is good though, as a blank canvas has so many possibilities. ;) Where I would like to be, is on an island beach selling my art out of a straw-topped tiki hut...perhaps in Figi or New Zealand.

9. What are your ultimate goals as an artist?

My ultimate goals as an artist are to continually develop my artistic abilities and be absolutely free and open with the inspirations that flow through me. I think the worst trap for an artist is in creating things which will appeal to the masses and sell the easiest. Doing that compromises the true nature of art and the creative potential of the artist.


10. What does art mean to you?

Art to me, is a personal expression of life. This expression can be understood and misunderstood just as individuals can. It is said that anyone can play an instrument, but a true musician has passion that you can hear in the notes they play. So it is with art. Anyone can create art or recreate art, but the art that stands out has a passion infused into it by its creator and it is this passion that we can connect with and be inspired by.

To see more of Krisha's work:  IslandTribe.Etsy.com

April 19, 2011

The ARTbreak Day Adventures- Day 1

Lauren and I had a series of incredible ARTbreak Day Meetings and we met some amazing and supportive art-centric folks within the cities of San Francisco,  San RafaelRichmondBerkeley, and Oakland . I am totally fried from our two day intensive, my post will be more of a log. My hope is to visually bring you along with us on this amazing journey to manifest this heART full community ARTreach happening! 


4/14/11
Bay Bridge to Richmond
3:45 am woke up(man, I am not sure why I scheduled such an early flight)
4:15 am went to LAX (got some coffee and water)
6:00 am took the full flight, United Airlines Flight 30 to SFO   
7:30 am Arrival in San Francisco
8:15am  Lauren picked me up (traffic was a bear, we decided to stop in SF in the Mission to get some breakfast) 
I guess Lauren and I were both a sleep as we got a ticket for parking in a street sweeping zone...
9:15 am Journey to the city of Richmond
10:00 am we met with Michele Seville, who is the city of Richmond's Arts and Culture Manager. She is amazing and very supportive ARTbreak allie.  
Richmond Ciy Hall
11:30 am we met with Slimm Buick & Justine tenZeldam  from the Bicyle Art Salon in Richmond @ the Hacienda Grill.They are going to be volunteers for ARTbreak Day
12:30 p.m. we met Amanda Elliot from the organization Main Street. Sweet meeting! she offered us to have the ARTbreak Day @ this beautful ARTpark on MacDonald Ave.
Community Art Park in Richmond
1:00 p.m. we went to the Richmond Art Center and we met with Liz Padilla
1:30 p.m. we went to ArtsChange to touch base with our fiscal sponsor.


Room Gallery, San Rafael
2:00 p.m. we went across the Richmond Bridge to have a community Artbreak Day meeting @ Room Fine Art Gallery
3:00 p.m. ABD Community ARTreach meeting.At the ARTbreak Day meeting we also met with the very supportive folks from ARTworks Downtown San Rafael
(The pic of our ARTbreak San Rafael partners is in front of my own paintings, where I exhibit and sell my work @ ROOM Fine Art Gallery)
4:15 -5:30 p.m. we walked and marketed ARTbreak Day to business's in downtown San Rafael.
6:45 p.m or so. Back in Oakland
Tom- Lauren's husband made this bookcase!



7:30 p.m. Dinner and ARTbreak Day debriefing. Lauren and I went out for some food and beers in Oakland. 
9:00 p.m. More Art is Moving,debriefing at Lauren's home in Oakland, were I stayed.


Tom and Lauren's guest/media room
10:00 p.m. What a long day! I went to sleep very quickly and I had dreams of a world with a global ARTbreak Day. To be continued...-lisa








Peeps we are still in need of support! We only have 134 days left!
Please donate to this amazing community ARTreach event. Think about this,the cost of just one your Petes/Starbucks latte makes a total difference in this community ART'S movement.Please! Donate $4.00 today to TAKE FIVE: ARTbreak Day 2011 
THANK YOU SO MUCH FOR YOUR SUPPORT!


April 18, 2011

I am an Artist: Rick Hutchinson, Wisconsin




1.  Why are you an artist?
I’m not sure if it’s passion or addiction, either way I have a need to
physically document the visual images my subconscious shares with me.
2.  Can you talk about your work? What is your vision? 
What I hope for in my work is to share with those that view it, a merger
of reality and the surreal. A distinct moment in time when the image was born, captured, and imprisoned by paint onto the canvas forever.

3.  Your work is very surreal. What role does night dreams or altered states of consciousness play in your work?
Dreams birth a small percentage in my work, with the majority of images coming just prior to sleep. There is a parcel of time between lying down and actually falling asleep when the mind runs rampant with images logged during the days activities. The minds eye processes those images so quickly that often one visual moment entwines with another to create vivid new mindscapes.
4.  What does the nude symbolize for you in your work?
The nude symbolizes a variety of things, it depend on the painting. It could be..beauty, fertility, purity, evil, nature, god/goddess, mother earth
love, innocence….
5.  Has any great work of Art made you extremely emotional? If so which one and why? 
There are so many great works that I love and for many different reasons. I couldn’t choose just one. In fact, I could pass on all the famous artists and go directly to the Milwaukee Art Museum. In a small room tucked far away
from the “greats” are a group of 1800’s era German paintings collected by one of the Milwaukee beer meister’s wives. These small paintings are phenomenal in technique, brush strokes, color, tones and attention to detail.
I am overwhelmed each time I see them. I could easily spend hours studying each one.




6.  What is the art scene like in Wisconsin?
 If you are an artist of reality, you will do well. Step out of that box, not so good. I have always painted for myself, meaning, I paint images that I want and mentally need to create. I was told that I “need” to paint for others. In other words, if I want to survive here as an artist I have to create what the
market demands. That is why the majority of my work goes out of state.

7.  What is the role of the artist in our society? 
I believe the role of the artist in our society is that of educator, entertainer, politician, poet, psychoanalyst, historian, clairvoyant, storyteller…..

8.  Where do you see yourself as an artist in 5 years?
Technically stronger than today, every painting brings a new discovery on how the process “happens”.




 
9.  What are your ultimate goals as an artist?
To create a masterpiece, even if in no one else’s eyes but my own. I begin each painting with the thought that this is going to be my “masterpiece” only to realize three fourths of the way through that it is always going to be the next one.
10.  What does art mean to you?
Life
To see more of Rick's Work:

April 15, 2011

Good Morning Sunshine - Experiments in Creativity #13


I love the sun. I would like to celebrate the fact that it is staying out much longer and saying hello in the morning a little bit earlier these days. I can already feel myself getting an extra boost of energy from the vitamin D! Let's celebrate LIGHT and what it can do for our artwork.

Here's a simple Experiment in Creativity for you.  Use light to change your ordinary art making routine.  If you usually work in the studio, paint outside during the afternoon sun.  See what natural light does for your creative process.  If you usually work outside, well then, work inside or at dark when the sun has gone away.  Make a painting in the morning one day and make another in the evening the other.  How are they different?  Add white to every color you use and see how it effects the overall aesthetics of the work.  Those are just a few ideas.  Can't wait to see how you interpret this experiment!

April 14, 2011

I am an Artist: Daniel Fleming, Wisconsin

  
1. Why are you an artist?
To tell the truth it is really kind of a compulsion. Whether I do nothing for weeks or have the busiest month in the world, if I don't paint every few days I feel like I've been lazy and unproductive. It's a release of stress, a release of emotion and a complete release from everyday life. Also, I feel like it's a way to leave a mark or accomplish something, and even though I wrestle with whether or not my work is doing any good, There still is a feeling of pride every time I decide a piece is "finished."

2. Why do you use the medium that you use?
I work very quickly and instinctively. Because of this, I found that acrylics allow for me to follow my instincts a little more freely. I'll make a mark and if it doesn't work like I hoped, I can work on another piece for the few minutes it takes to dry before I can repaint and rework that area. Also, I put a lot of marks on top of the paint. With oils I would need to wait for days before the paint was dry enough to use pastel or marker, completely blocking the "freedom" I feel when I can make marks as they come.


3. Can you talk about your work? What is your vision?
That is the thing I struggle with most...What am I trying to accomplish and is it working? I suppose at its very basic point, I want to help other people. I want my work to help people through whatever it is they are struggling with. And whether that's someone spending hours analyzing my work and how it relates to their everyday struggle, or if someone glances at it and simply likes the pretty colors, I feel that both reactions are just as important and just as genuine, and possibly just as helpful to that person. As long as someone reacts, I see the work as somewhat successful.

4. Can you speak to your use of color? Tell us what those colors lend to your concept or composition.
Color is very important to me. Whether its the overwhelming presence or the lack of it, it directly leads to success of a piece. I tend to use very bright and striking color as it is an immediate emotional connection; something that grabs a viewer. I wouldn't say that I have a preconceived symbolism to each and every color, but I definitely know the color scheme and composition I intend for the piece before I start. A slight difference in shade, tint, or hue can drastically change a paintings effect, so really knowing the type of piece I want usually dictates the colors that I use and how they I compose them together.

5. Has any great work of Art made you extremely emotional? If so which one and why?
I'm kind of a strange museum-goer. I don't slowly walk around and look at each piece, but I usually breeze through, looking at every piece but only really stopping if something strikes me. One piece I have always loved is Matisse's painting "bathers by a river," and the reason is the range that I see in it. On one end you have a bright green with a figure in the action of bathing, something very intimate. Then as you move across the piece you are confronted by two figures in an opposite manner. Straight up and down, almost removed from any setting or life at all. It's the absolute beauty and excitement that I have in art and life and at the same time, the utter devastation and isolation that take over on a day to day basis. I suppose it's both struggles that I feel move and shape my life and personality everyday on one, large and beautiful painting in which they interact in a harmony that I personally lack and hope to eventually find that makes it most meaningful to me.

6. What is the art scene like in Wisconsin?
I don't know too much about all of Wisconsin but Milwaukee is definitely improving I think. There is a lot of great galleries and work, not to mention a lot of student artists showing all the time. The market isn't the same as bigger cities like Chicago and the Twin Cities, but art is a hard sell when most people are having trouble even making rent payments. I still meet a whole lot of people who don't quite get the point of abstract-ish art, so that is a bit of a hurdle for a contemporary artist. But education is also something that artists need to open to providing if they are putting up challenging work.


7. What is the role of the artist in our society?
Sadly I think the role of artists today has become more and more detached. With how conceptual work has gotten, a huge group of the public has turned their backs to art in general. Many artists now completely disregard those outside the art-world whether they realize it or not. I believe that art is worthless without the viewer, and because of that, our duty as artists is not only to create work that challenges current ideas, but also to get the work to a place people can see it, provide it in an accessible way, and if needed, explain the work. I understand the reason for conceptualism, the ideas behind it and why it is important, but I also feel that it falls very short in uniting people, expressing a concern, promoting a cause, and overall, simply helping those around you. Without communicating any of these things, its hard for me to consider that piece of art a success.

8. Where do you see yourself as an artist in 5 years?
I hope to be better, more comfortable with what I am doing, and more integrated within the art community. I also hope that I will be continuing in my goal to re-integrate the general public into art. To show that not all art has to be in a large gallery setting, selling for millions of dollars, but it can be on a plank of wood, on a sheet of paper, and spread to everyone. One of my major goals is to start creating public works that bring art into unexpected parts of the city in unexpected ways that will get people to start seeing the world around them in a different way.


9. What are your ultimate goals as an artist?
I'd LOVE to be world famous, selling art everywhere with endless commissions, murals, and exhibits, but basically I would really just like to leave a mark in the spreading of art throughout society. I'd like to make art that helps people, help people interact with art, and help art become more appreciated, widespread, and accessible. But all that other stuff would be a great bonus.

10. What does art mean to you?
Everything. Without art I'm not sure what type of a person I would be. It settles me down, helps me get through bad times, gets things off my mind, provides confidence, provides humility, makes me feel like I'm doing something worthwhile, and gives me a bit of meaning. It keeps my wildly imbalanced self a little more bearable and even-keeled.

April 13, 2011

My Inner Dwarf would like to say Hi! - Answer #12 Experiments in Creativity

Wow, this answer has taken quite a bit of time, hasn't it? Due to the amount of work that Lisa and I are putting into our newest project, Take 5: Art Break Day, we have decided to start posting ONE Experiment in Creativity per month, instead of two. Anyway, here is what happened to me during my process to re-establish a positive relationship with my inner dwarf.

The reason it took me so long to write my answer to this question is that I actually kept forgetting that it was assigned to me. Perhaps that was my subconscious self not wanting to come face to face with any negative feelings. I ebb and flow a lot going from super stoked to Shakespearean pitying of myself. I constantly try to stay grounded and realize the mere fact that I get to ATTEMPT to have an art career is more than many ever get. I have a full belly, safe water to drink and love in my life. But, I'm ambitious and put a great deal of pressure on myself to be perfect. And, since perfection is unattainable I am constantly disappointed.

So, what has my inner dwarf said to me lately? "You aren't using your time wisely." "You aren't going to make it, so just give up." "Stop pretending to be an artist."


I gathered items from my backyard and scrap bin in the studio and made my inner dwarf in less than 5 minutes.  I didn't really think about it and tried to just make it before analyzing it.  This time around my inner dwarf does not have any arms.  The notes of negative and positive thoughts seemed to turn into the inner dwarfs shoulders and arms.  Pretty accurate considering stress about success usually resides in my shoulders.

I gave the inner dwarf a tour of the backyard to see if he fit anywhere in particular.



He ended up settling down in my studio.


For me, this process turns into a "note to self."  It allows you to be honest with yourself and get out all of those underlying feelings and thoughts that you may be hiding from yourself or may be afraid to say to yourself.  And then, you get to process them and realize where they might be stemming from.  I think its good practice to have a conversation with your inner dwarf every once in a while.  I think a great deal of people like to try and squish him/her down with a good source of denial and numbness.  Its hard to admit that one's confidence is not always stellar and shiny, but hey, it happens to the best of us.  It is those who don't let it keep them down that make the difference.

April 12, 2011

I am an Artist: Beata Chrzanowska, Wisconsin



I love this line from our interview with Beata, "My goal is to always have a goal." YES! You will learn in the next few minutes that Beata takes her work very seriously and is willing to travel down art rabbit holes in order to find herARTself. Inspiring! Thanks Beata!


1. Why are you an artist?

I don't see myself doing anything else. I don't see anything else making me happy. I love how being an artist you can submerge yourself in any topic and you're not narrowed down to any specific field. You can learn about space, or nature, or anatomy, or medical science. I don't like being tied down to anything. Also, art is very versatile, it works with your mood, fills whatever you're missing in a day. Art is my vitamin.


2.Why do you use the medium that you use?

I just graduated with a BFA last May and being out of school I realized that I am a seasonal artist. For this series, I kept bitchin about how I hate winter and black ink was the medium that attracted me the most. The darkness of it was very comforting, like a warm blanket. I also learned some neat tricks with ink so all went well. When it gets warmer i'm more drawn to oils and paint in general. I could not use oils indoors because im sure my history of careless oil usage has cut some time out of my life, so i like to be cautious. I also do some 3D work and collage that fill in times when I am either uninspired or don't feel like working on a flat surface.


3. Can you talk about your work? What is your vision?

I like weird things. I like making things that are recognizable but abstract enough to spark an interest. My start off point is usually with the figure and then I either distort it, intensify it through color and tone, chop it up with shapes and lines, keep it busy or keep it subtle. My work is about the figure, shape, and color, or the lack of.


4. Black and white seem to be your primary color palette. Tell us what those colors lend to your concept or composition.

The use of black and white makes you work harder. I did a series where it was pretty much color vomit. Using black and white drew me into using more pattern line work. It also dramatized the work a lot more. The black and white series was about power and the unfamiliar self. Strong, powerful creatures, that look like humans, but just aren't. I wanted the viewer to respond to the work in a way that they would respond if they saw an alien for the same time.


5. Has any great work of Art made you extremely emotional? If so which one and why?

I did a report on the work and life of Kathe Kollowitz. I love the intensity of the black and white and the drama in the work itself. How she convinced the viewer the pain that the subjects were experiencing. Like a grueling headache, but in a good way.


6. What is the art scene like in Wisconsin?

It's pretty great, there is a gallery night every season, so all galleries are open to the public. You see art, friends, eat snacks, have a little bit of wine, and talk about art. There are also a lot of small galleries around here, which I especially like because it's easier to get a spot for a show. Overall the art community is pretty strong and there are a lot of opportunities for new artists.


7. What is the role of the artist in our society?

Art is a very broad topic. Everything around us is designed by artists. Art is the decorator of life. Makes the world a more interesting and pleasant place to live in. It also looks nice on a wall.


8. Where do you see yourself as an artist in 5 years?

Doing the same thing I'm doing now, but with more experience. I see myself as a more balanced artist, having had time to go beyond what I already know.

Getting more into sculpture, possibly graffiti art, t-shirt design, and posters. Making a living off of my work! OR being pushed out of my apartment because my artwork took all the space, but preferably not.


9. What are your ultimate goals as an artist?

My goal is to keep the fire burning. To not let the creativity stop. To show at a bigger gallery in Milwaukee and then I can finally move on to another city. Though I also think that there really is no "ultimate" goal as an artist, if art is an avid thing you do. My goal is to always have a goal.


10. What does art mean to you?

A release, a way to bring people together, have interesting conversations, bring life a gratifying high and make it prettier. A tactile documentation that proves that I did something with my life.

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