"The source of genius is imagination alone, the refinement of the senses
that sees what others do not see, or sees them differently."
Eugene Delacroix
September 27, 2010
I am an Artist: Jamie Burmeister of Nebraska
The work of Jamie Burmeister is unique, innovative, mysterious and thoughtful. He is on a serious art mission and Lisa and I are always happy to find other artists who are fighting the good fight. Thanks for the interview Jaime!
Why are you an artist?
I have many diverse interests. Art is the only occupation that I have found which allows me to explore these diverse interests in a creative way. As an artist I can wake up every morning feeling free to respond to the world through the exploration of any idea that interests me at that moment. Ultimately, I seek to understand myself and the world around me through art.
Tell us about your vermin.me project.
Vermin.me involves the installation of small (4” tall) ceramic figures, called vermin, in public places throughout the world. Using Internet tools to facilitate and document the project I hope to spread the vermin across the globe. From when the project started January 20, 2010 to September 23, 2010 I have produced over 2,000 vermin. There have been more 350 installations made by over 50 people including 600+ vermin at locations all over the world. Vermin have spread to 20 US states, 10 countries and 4 continents in 10 months. I have also been doing larger vermin installations in galleries, art centers and schools including the upcoming 10-10-10 Conference at the University of Nebraska at Omaha. Now that we have developed the ability to make, ship and document the vermin we are starting to actively promote the project and recruit as many people as possible to help install the vermin. We need your help. If you are interested in participating in the vermin.me project through installing a vermin in an interesting location and photographing it please fill out the contact form found on the vermin.me website. We would also like to hear from people that have found vermin. We will send the vermin to you free of charge as long as we have funding to continue the project. Vermin.me is supported by grants from UNO Cultural Enrichment Fund and the Nebraska Arts Council.
What are your goals with this project?
1. The first goal was to get back to making objects with my hands. Over the last few years I have been primarily working on large gallery, museum and public art projects that required administrative and computer work. My eyes and hands felt out of shape. Each vermin is modeled by hand in clay which make me feel like an artist again.
2. Second is to explore the possibilities of the Internet relating to sculpture. Are there things possible today with our technology that was not possible in the recent past?
3. The third goal that has developed is to spread the vermin all over the globe.
4. The fourth goal is to meet interesting people though the Internet that are interested in helping out with vermin.me.
Vermin.me has an interactive and participatory edge to it; what is added to the art when others are involved in the process?
When I visit art venues such as galleries and museums I find myself more interested in viewing the people than the art. This interest has lead to most of my art being interactive in some way. The viewer becomes a part of the piece. When others are involved in the process, projects like vermin.me can take unexpected directions. People have installed the vermin in places and ways that reflect their way of looking at the world.
Social Question: Check out the link below...
http://www.huffingtonpost.com/mat-gleason/ten-most-overrated-los-an_b_679441.html
Any thoughts about this article?
If a writer is going to say specific artists are overrated I expect him to support his opinion. I think Mat Gleason did support his opinion fairly well in this article. I do not necessarily agree with this opinion. One example is John Baldessari. This summer I checked out the “John Baldessari: Pure Beauty” exhibition at LACMA. I loved seeing his progression as an artist. Seeing Baldessari’s ideas develop through his work was fascinating. For me his strategy made for interesting art over a long career and the possibility for it to continue to develop. I rate John Baldessari high.
Are some artists overrated? Are some underrated?
Rating art is much like rating food. No two people will have the same experience of a meal or a piece of art. The bottom line is that each individual viewer has the power when viewing art. Each individual is unique with specific experiences, tastes, interests etc. that affect how that person reacts to the work. How we react to specific art changes over time as we change. Artists can be overrated or underrated depending upon who you ask.
What is the role of the artist in our society?
Artists reflect the society they inhabit. Our present society is dealing with technologies that have changed our experience faster than any other time in human history. I believe that today’s varied and quickly developing art world reflects this.
Where do you see yourself as an artist in 5 years?
I hope to be further along on my artistic journey with each piece of art leading to the next.
What are your ultimate goals as an artist?
My ultimate goal as an artist is to live a creative life up to and through my final breath. I hope to keep my art moving forward my whole life.
What does art mean to you?
To me art is broad, including many disciplines and approaches. I like the Websters Dictionary definition “the conscious use of skill and creative imagination especially in the production of aesthetic objects; also :works so produced” Art has the intention of expressing something to the viewer.
Why are you an artist?
I have many diverse interests. Art is the only occupation that I have found which allows me to explore these diverse interests in a creative way. As an artist I can wake up every morning feeling free to respond to the world through the exploration of any idea that interests me at that moment. Ultimately, I seek to understand myself and the world around me through art.
Tell us about your vermin.me project.
Vermin.me involves the installation of small (4” tall) ceramic figures, called vermin, in public places throughout the world. Using Internet tools to facilitate and document the project I hope to spread the vermin across the globe. From when the project started January 20, 2010 to September 23, 2010 I have produced over 2,000 vermin. There have been more 350 installations made by over 50 people including 600+ vermin at locations all over the world. Vermin have spread to 20 US states, 10 countries and 4 continents in 10 months. I have also been doing larger vermin installations in galleries, art centers and schools including the upcoming 10-10-10 Conference at the University of Nebraska at Omaha. Now that we have developed the ability to make, ship and document the vermin we are starting to actively promote the project and recruit as many people as possible to help install the vermin. We need your help. If you are interested in participating in the vermin.me project through installing a vermin in an interesting location and photographing it please fill out the contact form found on the vermin.me website. We would also like to hear from people that have found vermin. We will send the vermin to you free of charge as long as we have funding to continue the project. Vermin.me is supported by grants from UNO Cultural Enrichment Fund and the Nebraska Arts Council.
What are your goals with this project?
1. The first goal was to get back to making objects with my hands. Over the last few years I have been primarily working on large gallery, museum and public art projects that required administrative and computer work. My eyes and hands felt out of shape. Each vermin is modeled by hand in clay which make me feel like an artist again.
2. Second is to explore the possibilities of the Internet relating to sculpture. Are there things possible today with our technology that was not possible in the recent past?
3. The third goal that has developed is to spread the vermin all over the globe.
4. The fourth goal is to meet interesting people though the Internet that are interested in helping out with vermin.me.
Vermin.me has an interactive and participatory edge to it; what is added to the art when others are involved in the process?
When I visit art venues such as galleries and museums I find myself more interested in viewing the people than the art. This interest has lead to most of my art being interactive in some way. The viewer becomes a part of the piece. When others are involved in the process, projects like vermin.me can take unexpected directions. People have installed the vermin in places and ways that reflect their way of looking at the world.
Social Question: Check out the link below...
http://www.huffingtonpost.com/mat-gleason/ten-most-overrated-los-an_b_679441.html
Any thoughts about this article?
If a writer is going to say specific artists are overrated I expect him to support his opinion. I think Mat Gleason did support his opinion fairly well in this article. I do not necessarily agree with this opinion. One example is John Baldessari. This summer I checked out the “John Baldessari: Pure Beauty” exhibition at LACMA. I loved seeing his progression as an artist. Seeing Baldessari’s ideas develop through his work was fascinating. For me his strategy made for interesting art over a long career and the possibility for it to continue to develop. I rate John Baldessari high.
Are some artists overrated? Are some underrated?
Rating art is much like rating food. No two people will have the same experience of a meal or a piece of art. The bottom line is that each individual viewer has the power when viewing art. Each individual is unique with specific experiences, tastes, interests etc. that affect how that person reacts to the work. How we react to specific art changes over time as we change. Artists can be overrated or underrated depending upon who you ask.
What is the role of the artist in our society?
Artists reflect the society they inhabit. Our present society is dealing with technologies that have changed our experience faster than any other time in human history. I believe that today’s varied and quickly developing art world reflects this.
Where do you see yourself as an artist in 5 years?
I hope to be further along on my artistic journey with each piece of art leading to the next.
What are your ultimate goals as an artist?
My ultimate goal as an artist is to live a creative life up to and through my final breath. I hope to keep my art moving forward my whole life.
What does art mean to you?
To me art is broad, including many disciplines and approaches. I like the Websters Dictionary definition “the conscious use of skill and creative imagination especially in the production of aesthetic objects; also :works so produced” Art has the intention of expressing something to the viewer.
September 23, 2010
practice random acts of art.
I like to make shirts for people that inspire me. I randomly have design ideas pop into my head when I am talking to someone or telling a story about them. I have more ideas than I have time to make screenprinted t-shirts, but I am on a mission to make all of the images that have popped in my head.
I would like to introduce you to my latest creation. It was inspired by my lovely collaborator of the last 2 1/2 years, Lisa Rasmussen.
I think this came about as we were having one of our weekly meetings. It is our mantra and it is what we advocate the entire world do. So, go out and practice random acts of art. And, while you are at it, take photos and send them our way. We would love to see what you are up to.
You can check out more of my upcycled t-shirt creations at my online shop, upcycled unlimited.
If you would like to purchase on of your own, they are available for sale online. All of the shirts are made from reused t-shirts. I make t-shirts from reused clothing for two reasons: It saves money and I can pass that savings on to you, my customers. And, why not make an old shirt new again and save the need for making a brand new shirt?
-Lauren
I would like to introduce you to my latest creation. It was inspired by my lovely collaborator of the last 2 1/2 years, Lisa Rasmussen.
I think this came about as we were having one of our weekly meetings. It is our mantra and it is what we advocate the entire world do. So, go out and practice random acts of art. And, while you are at it, take photos and send them our way. We would love to see what you are up to.
You can check out more of my upcycled t-shirt creations at my online shop, upcycled unlimited.
If you would like to purchase on of your own, they are available for sale online. All of the shirts are made from reused t-shirts. I make t-shirts from reused clothing for two reasons: It saves money and I can pass that savings on to you, my customers. And, why not make an old shirt new again and save the need for making a brand new shirt?
-Lauren
September 22, 2010
quintessential quotes
I trust my work. It's a collaboration with the material, and when it's viewed, it's a collaboration with the world.
(Kiki Smith)
I am an Artist: Curtis Olson of Wyoming
I feel like digging into the artwork of Curtis Olson. The layering is so beautiful and carefully calculated. It is lucious and easy to spend hours diving deep into. Thanks for the interview Curtis!
Why are you an artist?
I've made art all my life. I seem to have the need to create, and to look at the world through an artist's eyes - appreciating colors, compositions and forms. I just wasn't a professional artist until I made the full leap from my Architecture profession about 8 years ago. As an Architect I pushed the artistic side of the design process as much as I could.
Tell us about your process.
I've developed a 17 step process to get the effect I wanted to achieve. I wanted to represent the essence of the western landscape and to also create more of an object rather than a 2 dimensional painting. My work is very textured, I use a combination of plasters and cement and waxes to achieve this. I use metals that I age and patina and I take all of my photographs.
I incorporate many processes I am drawn to; from the photography to wood working to painting. I have a love hate relationship with my process, as it is physically demanding and time consuming - I am sometimes jealous of painters an canvas simple process.
I see that you do both 2d and 3d work. What does one give you that the other doesn't and vice versa?
There's no doubt that 3D work is is much more challenging in terms of working out the puzzle of composition and balance. The 3 D work lets me use more of my spacial skills I developed an Architect.
Social Question: Check out the link below...
http://www.huffingtonpost.com/mat-gleason/ten-most-overrated-los-an_b_679441.html
Any thoughts about this article?
Are some artists overrated? Are some underrated?
I've found that I am not as quick to judge other artists now that I am a professional artist and see how hard it is to keep up a high level of uniqueness and quality. Before I was quick to call someone a sell out or overrated. But now I think if you are making a living by bringing something unique to the world you are alright. But ......... in the art world the cream does not always rise to the top. At the top levels, who you know sometimes is more important than the work itself.
How does nature, the land, landscape,the environment affect our creativity?
I am completely affected by nature. This body of work (Landscape Memories) springs directly from how I viewed the Western Landscape as a child.
If I don't have a strong connection to nature my mood and work suffer. The place that I am seems to not only affect my mood but also my color pallet on a subconscious level.
What is the role of the artist in our society?
To spur people to experience life at a deeper level. To stop and really see the world.
Where do you see yourself as an artist in 5 years?
Making and selling more and better Art or at least kickin' ass and being awesome.
What are your ultimate goals as an artist?
To continue to find ways to combine all of my varied interests into my work. Art, Architecture, Social change, technology, environmentalism, design, politics.
And to continue pushing my work to be better, while keeping it interesting for me to do.
What does art mean to you?
If you are just speaking of the definition - this too has evolved the more art I make. Now I believe that something is Art if the maker says it is. Simple.
But for me it has to be more than just that, it has to have some kind of impact, making the world better for it. Even if it is just helping those that experience it to think or feel a little bit more.
Here's an article that was recently in Architects + Artisans:
http://architectsandartisans.com/index.php/2010/07/an-architect-who-turned-to-art/
My Web site:
www.curtisolson.com
Thank you so much for including me!
Ciao, Curtis
Why are you an artist?
I've made art all my life. I seem to have the need to create, and to look at the world through an artist's eyes - appreciating colors, compositions and forms. I just wasn't a professional artist until I made the full leap from my Architecture profession about 8 years ago. As an Architect I pushed the artistic side of the design process as much as I could.
Tell us about your process.
I've developed a 17 step process to get the effect I wanted to achieve. I wanted to represent the essence of the western landscape and to also create more of an object rather than a 2 dimensional painting. My work is very textured, I use a combination of plasters and cement and waxes to achieve this. I use metals that I age and patina and I take all of my photographs.
I incorporate many processes I am drawn to; from the photography to wood working to painting. I have a love hate relationship with my process, as it is physically demanding and time consuming - I am sometimes jealous of painters an canvas simple process.
I see that you do both 2d and 3d work. What does one give you that the other doesn't and vice versa?
There's no doubt that 3D work is is much more challenging in terms of working out the puzzle of composition and balance. The 3 D work lets me use more of my spacial skills I developed an Architect.
Social Question: Check out the link below...
http://www.huffingtonpost.com/mat-gleason/ten-most-overrated-los-an_b_679441.html
Any thoughts about this article?
Are some artists overrated? Are some underrated?
I've found that I am not as quick to judge other artists now that I am a professional artist and see how hard it is to keep up a high level of uniqueness and quality. Before I was quick to call someone a sell out or overrated. But now I think if you are making a living by bringing something unique to the world you are alright. But ......... in the art world the cream does not always rise to the top. At the top levels, who you know sometimes is more important than the work itself.
How does nature, the land, landscape,the environment affect our creativity?
I am completely affected by nature. This body of work (Landscape Memories) springs directly from how I viewed the Western Landscape as a child.
If I don't have a strong connection to nature my mood and work suffer. The place that I am seems to not only affect my mood but also my color pallet on a subconscious level.
What is the role of the artist in our society?
To spur people to experience life at a deeper level. To stop and really see the world.
Where do you see yourself as an artist in 5 years?
Making and selling more and better Art or at least kickin' ass and being awesome.
What are your ultimate goals as an artist?
To continue to find ways to combine all of my varied interests into my work. Art, Architecture, Social change, technology, environmentalism, design, politics.
And to continue pushing my work to be better, while keeping it interesting for me to do.
What does art mean to you?
If you are just speaking of the definition - this too has evolved the more art I make. Now I believe that something is Art if the maker says it is. Simple.
But for me it has to be more than just that, it has to have some kind of impact, making the world better for it. Even if it is just helping those that experience it to think or feel a little bit more.
Here's an article that was recently in Architects + Artisans:
http://architectsandartisans.com/index.php/2010/07/an-architect-who-turned-to-art/
My Web site:
www.curtisolson.com
Thank you so much for including me!
Ciao, Curtis
September 21, 2010
Interview with Creative Coach: Dan Goodwin
Life on the Internet is so interesting and has so much potential! Creative Connections abound. I actually knew about Dan Goodwin's work through reading some of his inspiring articles on creativity from his website coachcreative.com. When he posted an insightful comment on our Blog from our interview with Michael Nobbs , I quickly responded and I asked him for an interview. And of course he said YES! From time to time, I think all of us can use a little creative coaching. Our muse sometimes needs to be fanned. Enjoy Dan's insights and inspiration.
1. Tell us your story. How did you become a creative coach?
The coaching part came about nearly seven years ago now, where looking for a bit of direction, I came across a little orange book called Be Your Own Life Coach by Fiona Harrold [http://www.fionaharrold.com/]
I had explored a career in counselling previous to this but was never comfortable with all that digging up of the past. The coaching approach was more like: "Here's where you are right now, here are all the amazing talents you have, let's plan where you want to be and how we're going to get you there and get started." It was about action and positivity and taking control of your life, rather than analysis and feeling hopeless and a victim.
A few months later I began my Diploma in Professional Coaching, and qualified within nine months. It was a period of incredible focus. About a year into my two chosen specialist ares of coaching - Life Coaching and Young Adult Development Coaching - I realised two things. First, that I much preferred writing articles and ezines and creating websites than I did talking to people on the phone or presenting in person. Second, that my real passion and niche - the people I felt most drawn to helping - were artists. Those who had a burning need to create but were wrestling all kinds of obstacles. I'd experienced enough of this myself, so that experience, combined with the coaching tools and techniques I had learnt and was continuing to learn, seemed a great combination to start me as a Creativity Coach.
Soon after this, after studying the works of probably the two best known Creativity Coaches - Eric Maisel and Julia Cameron - I enrolled on Eric's Creativity Coaching course. I laid my original website to rest, and began CoachCreative [www.coachcreative.com], along with the ezine Create Create![http://www.aweber.com/
In June 2007 I launched our creative community - CoachCreativeSpace.com (CCS) [www.coachcreativespace.com] - and we're thriving with nearly 800 members now.
2. Can talk about your own creative practice?
As I said before, my main creative outlet has always been writing. And it still is, by far. As well as writing articles, blog posts, ebooks and ecourses for CoachCreative, I write poems, stories, and have a couple of novels in progress. The amount of time I spend on "business" versus "personal" creative writing ebbs and flows, depending on a few different factors, though the two have merged closer than ever in recent times.
The creative form I spend the next largest amount of time on is salsa dancing and teaching. I began dancing just under four years ago and was soon hooked! I went from helping out in classes to becoming a teacher under the guidance and tuition of my own teacher and role model, Julia. I currently teach three or four classes a week, and teaching has enhanced my confidence in many other areas of life. I still can't quite believe my own my mouth sometimes when I tell people I'm a dance teacher! It wasn't in my plan five years ago, but has been an unexpected and delightful addition to my life.
I also enjoy photography and this is still a fairly nascent form for me. I want to explore it more in the future and develop a site exclusively for my work. I believe that photos are just out there waiting to be captured, we just have to be paying close enough attention to see them. Photography helps me pay more attention to the tiny details of life, which is where the real experience lies.
Another blossoming creative outlet is cooking, and I'm becoming more confident and experimental as the weeks go by. It's a very satisfying creative form, making delicious meals from scratch, and seeing the subsequent pleasure others get from them. Plus it involves all the senses in a way that few other creative forms do.
3. What do the words "being creative" mean to you?
Being creative means bringing into being something that wasn't there before, something that wouldn't be there without you. People get caught up in the idea that being creative means you must paint a new painting, write a new play, or compose a new symphony every day. It doesn't need to be as grand as that, our creativity is switched on the whole time in our creative minds, you can't turn it off! For example, things like social events and relationships require an incredible amount of creativity and dedication, but they're often overlooked in favour of more "traditional" art forms. I help people realise and remember how creative they are in everything they do from day to day, from the way they make breakfast, to how they dress, to the relationships they're an active part of, to the photography, painting and singing they do. Creativity is a way of thinking, seeing, being and doing, it's far from just making stuff.
4. I really dislike the word No. What is the Big Creative Yes?
I needed a new blog to be the central hub for CoachCreative and CCS, and the idea of A Big Creative Yes [www.coachcreative.com/
5. What are the Pros and Cons of Blogging?
The cons? Um... I'm not sure there are any that I've yet come across! Just don't spend time keep checking your blog's stats when you could be engaging with your readers or writing new posts. : )
6. What role does the Internet and social media play in the world of (creativity) arts and the artist in 2010? What is the greatest thing about the internet and social media for an
artist?
I think overall the internet gives artists a power and freedom that we've never seen before. These are incredible times. You can get a website and/or blog up and running in a matter of hours and share your art with the world. Possibly even greater than that, you can find other artists who experience the same kind of highs and lows you do, and genuinely feel a part of a tribe or community that are supporting each other and want to see each other succeed, the complete opposite of how the art world was seen more traditionally - competitive, exclusive and cut throat.
Once people get over the fact that the internet is on computers and they overcome any techno-phobias or prejudices they might have, we all realise that the internet is not about technology, it's about the people behind the computer screens, the real, living, human artists, each trying to express what's smouldering inside them to the world. People and artists just like us. The internet is just a channel of communication, one that is more instant and powerful than we've have ever had before. The opportunities for artists to not only share their work, but their whole creative processes and lives - and to be a part of other artists' processes and lives - is vast.
For example, some of our most active members on CCS are from the US, UK, South Africa, Australia and Canada amongst other places, yet despite the thousands of miles between us, we chat and console and encourage as if we were sitting round a table having coffee and cake. It amazes me every single day.
7. Social Question: Check out the link below...
http://www.huffingtonpost.com/mat-gleason/ten-most- overrated-los-an_b_679441.html
Any thoughts about this article?
Are some artists overrated? Are some underrated?
I'm not familiar with most of these artists, and my work doesn't involve helping people get famous or rated by art critics. It doesn't interest me partly because all art is completely subjective anyway, and more than the finished outcomes I focus far more on what creating gives you as an artist, the way it can enhance your life like nothing else can. It's the whole experience of being creative that's important and finding ways to let that flow as naturally as possibly is what I focus on helping people do. You can be incredibly inspired by just seeing another artist show up and create day after day irrelevant of what their favoured medium is, or even whether you enjoy everything they create.
8. What is the role of the artist in our society?
Being creative is at the core of our society. This has never been more crucial. I genuinely believe that if each of us created to even 10% of our full creative abilities the world would be transformed, for the better. We have such amazing potential within each of us, the hard part is letting it be heard, saying yes to our creativity, in a world dominated by advertising that's trying to dumb us into submission and make us just like everyone else. It's never been more important for artists to listen to what's within them and create what matters.
9. Where do you see yourself as a creative coach in 5 years?
10. What are your ultimate goals as an Creative Coach?
11. What does art mean to you?
But, what you do – what you want to do – your life’s passion – is already art. You have a unique perspective and something beautiful to offer to your fellow (wo)man. Waiting indefinitely to embrace that truth robs us of your vision."
I'm not sure I can add anything to that.
Dan GoodwinCreativity Coach
CoachCreative.comHelping you be as creative as you've always known you can be...
community: http://www.CoachCreativeSpace.com twitter: http://www.twitter.com/coachcreative email: dangoodwin@coachcreative.com
September 19, 2010
The Art of Mitosis:Separation anxiety and the Exuberant Expansion into the Unknown
Over the past month I have been sensing some resistance to writing this post. Really, I must confess over the past six months I have had a lot of resistance to writing this post. Alright here it is and here it goes.Lauren and mys ART collaboration will be going on an adventure into uncharted waters.
What is happening:
In less than fourteen days Art is Moving will be going through a separation a sort of metaphoric Mitosis
Geographically Lauren and I (Art is Moving) will be separating. Here is the skinny, I will be relocating to Los Angeles. Art is Moving will be a NorCal -SoCal thang. Currently, I cannot help but have extreme separation anxiety in tandem with an extreme exuberance in discovering the unknown and to expanding our collaborative creative vision.
As Art is Moving is in transition... so many questions have arisen what does this geographic separation or ideally a sort of Mitosis mean to Art is Moving's as a collaboration? Can we survive? Can we expand the notions of creativity and relationship(which is essentially collaboration).
We shall see..
Lauren and I do have a plan and we look forward to its manifestation. We also so look forward to the conversations it will provoke. Damn Art is always moving. Maybe art is movement. Not the next movement, but a sort catharsis that generates transformation i.e change.What do you all think?
Namaste, Lisa
September 17, 2010
I am an Artist: Jewel Noll of Nebraska
Jewel's work has an ephemeral feel to it. Although it is somewhat abstract work I find myself seeing figures through out; it also has a narrative edge to it. They almost feel like objects and symbols to me. What do you think?
Why are you an artist?
Being an artist has been a natural path for me. My family has always been extremely creative and my father Tom Noll is a prominent artist who provided me access to a studio and art supplies at a young age. The drive for creativity in my household growing up was natural instinct and seen as nothing outside of normal. Being an artist has been a way to investigate my ideas of concept and material, as well as expel and harness my energy.
Tell us about your printing process.
I embrace traditional techniques in print by refining and reworking them to meet my own creative process. I typically begin by hand dying paper, and respond by using screen print, intaglio and woodcut to enhance an image. During the dying process I bruise and fold paper, saturate fibers with liquid, monitor the absorption process, and provoke the resistance of materials with opposite chemical make ups. Each print is one of a kind and uses different traditional print techniques to evolve the image into my aesthetic.
What does installation art give you that a print alone does not? and Vice versa.
Installation allows my artwork and the architecture of a space to symbiotically enhance the mood and energy of the other. It is physical, full of energy, and indicates the history of its creation. It is full of physical expression and has many parts working together to satisfy an initial investigation.
Individual prints are more intimate in both their creation and comprehension.
Are you influenced by any contemporary printmakers? If so, who and why?
My biggest influence happened while working for Judy Pfaff at Tandem Press in Madison, WI. Known mostly for her sculpture and installation work, Pfaff works freely in the print medium, pushing the boundaries of tradition. At the time I was majoring in both ceramics and print. When I asked her about the two mediums she explained her view, “as long as you use printmaking in an aspect of a piece, it’s a print”. Her advice blew off the doors of creativity, and I dived into my creative journey in printmaking.
Social Question: Check out the link below...
http://www.huffingtonpost.com/mat-gleason/ten-most-overrated-los-an_b_679441.html
Any thoughts about this article?
Are some artists overrated? Are some underrated?
While I agree that some artists don’t always deserve their continued praise, there is a trend (or vicious cycle) in the art world that traps artists into continuing to repeat their most praised work. Their accepted work “defines” them and they are forced to recreate their own wheels time and time again in order to stay in the minds of the public.
I also believe that as artists we all have a visual vocabulary that helps us to “speak” with the viewer. This vocabulary never abandons us, but rather becomes more advanced the more we use it. Many artists get trapped into repeating, rather than enhancing.
What is the role of the artist in our society? and in Nebraska?
Artists are the pulse of a community. They are indicators, innovators, and help the public to expand their perceptions. This is just as important across the world as it is in Nebraska.
Where do you see yourself as an artist in 5 years?
I am an artist by nature and will forever be creating. Since finishing my MFA degree I am working in the studio every day continuing to visually investigate my life. In five years my artwork will evolve and become more informed.
Check out Jewel's Website: http://jewelnoll.com/
Why are you an artist?
Being an artist has been a natural path for me. My family has always been extremely creative and my father Tom Noll is a prominent artist who provided me access to a studio and art supplies at a young age. The drive for creativity in my household growing up was natural instinct and seen as nothing outside of normal. Being an artist has been a way to investigate my ideas of concept and material, as well as expel and harness my energy.
Tell us about your printing process.
I embrace traditional techniques in print by refining and reworking them to meet my own creative process. I typically begin by hand dying paper, and respond by using screen print, intaglio and woodcut to enhance an image. During the dying process I bruise and fold paper, saturate fibers with liquid, monitor the absorption process, and provoke the resistance of materials with opposite chemical make ups. Each print is one of a kind and uses different traditional print techniques to evolve the image into my aesthetic.
What does installation art give you that a print alone does not? and Vice versa.
Installation allows my artwork and the architecture of a space to symbiotically enhance the mood and energy of the other. It is physical, full of energy, and indicates the history of its creation. It is full of physical expression and has many parts working together to satisfy an initial investigation.
Individual prints are more intimate in both their creation and comprehension.
Are you influenced by any contemporary printmakers? If so, who and why?
My biggest influence happened while working for Judy Pfaff at Tandem Press in Madison, WI. Known mostly for her sculpture and installation work, Pfaff works freely in the print medium, pushing the boundaries of tradition. At the time I was majoring in both ceramics and print. When I asked her about the two mediums she explained her view, “as long as you use printmaking in an aspect of a piece, it’s a print”. Her advice blew off the doors of creativity, and I dived into my creative journey in printmaking.
Social Question: Check out the link below...
http://www.huffingtonpost.com/mat-gleason/ten-most-overrated-los-an_b_679441.html
Any thoughts about this article?
Are some artists overrated? Are some underrated?
While I agree that some artists don’t always deserve their continued praise, there is a trend (or vicious cycle) in the art world that traps artists into continuing to repeat their most praised work. Their accepted work “defines” them and they are forced to recreate their own wheels time and time again in order to stay in the minds of the public.
I also believe that as artists we all have a visual vocabulary that helps us to “speak” with the viewer. This vocabulary never abandons us, but rather becomes more advanced the more we use it. Many artists get trapped into repeating, rather than enhancing.
What is the role of the artist in our society? and in Nebraska?
Artists are the pulse of a community. They are indicators, innovators, and help the public to expand their perceptions. This is just as important across the world as it is in Nebraska.
Where do you see yourself as an artist in 5 years?
I am an artist by nature and will forever be creating. Since finishing my MFA degree I am working in the studio every day continuing to visually investigate my life. In five years my artwork will evolve and become more informed.
Check out Jewel's Website: http://jewelnoll.com/
September 16, 2010
quintessential quotes
“Painting makes me feel happy. When I make art, I learn about the parts of myself that are a mystery.”
Javier, Age 7
September 15, 2010
Interview with Artist and Blogger Andy McNally
We were so happy to discover Andy's work after he left such an amazing complement for the artist Michael Nobbs on our post the Illustrated Blogger and Artist Michael Nobbs: Blogosphere and Wales. I was instantly inspired to contact Andy for an artist interview. Andy's work definitely brings a smile to ones face I feel in these times, we all need a gentle reminder not to take our selves to seriously and never forget to play! Thanks Andy!
Tell us your story?
My name is Andy McNally and I’m an artist living in Tennessee. Unlike Davy Crockett, I did not know every tree or kill a bear at the age of 3, but I did know around that age that I wanted to be an artist. I’ve drawn and doodled for as long as I can remember. My mother and sister are both artistic, so I guess it runs in the family.
I’ve had many corporate jobs over the years, mostly as a corporate trainer and instructional designer, but I’m really happiest when I can be creative. Recently I decided to spend more time with my daughters, and to focus on my artwork. I’m not sure how it will go financially, but I can tell you from a personal stand point that I’m happier than ever.
Can talk about your own creative practice?
My creative practice varies. I don’t have a certain routine yet. I try to create something everyday. It could be a sketch on paper, a digital sketch, a watercolor, or making a digital illustration from an earlier sketch. Like all things in life, there are periods when I’m like clockwork and create something everyday, and periods where I lapse. I had to learn not to beat myself up about the days that I miss or I don’t get a chance to create. The important thing is to start back again at your first opportunity.
What role does humor play in your artwork?
Humor plays an important role in my work. Laughter and fun are a huge inspiration for my artwork, especially since my artwork is focused around children's illustration and imagination. Kids are one of the best teachers for looking at things from different perspectives, so I try to learn from their example. I try to find a happy and creative angle to use as a starting point for my illustrations. Often this means, taking an adult notion and trying to make it fun and humorous in order to return to the world of a child. For me the world of a child does not mean that you are only young in years, but you could also be young at heart or mind. The world has more than enough people who will keep it serious.
What and Who influences your work?
There are so many wonderful influences that have evolved over the years, so i will have to narrow it down. Many of my early influences are from my memories of Saturday morning cartoons growing up, so cartoons and animation have always heavily influenced my work. I always like the cartoon retro style of Hanna-Barbera, especially shows like the Jetsons. Some of the recent cartoon works that have influenced me are shows like Dexter’s Lab, The Powerpuff Girls, Samurai Jack, Foster’s Home for Imaginary Friends, and The Fairly Odd Parents to name a few.Music often influences my artwork and also my memories from my childhood. My childhood memories of what we thought the future might be like also filter into my influences, like tomorrow land from Disney World, space travel, robots, and traveling to other worlds.
What role does the Internet and social media play in the world of (creativity) arts and the artist in 2010? What is the greatest thing about the internet and social media for an artist?
I think that the internet and social media are a critical element for independent artists. Both the internet and social media allow the artist an unprecedented way of finding an audience and a market for their work. Social media has replaced the once revered middle-man of the art industry, that use to charge a fee to find you a market. It is now possible for an artist to set up a website or blog and then use tools like Twitter, Facebook, and YouTube to find people who are interested and then turn that into a source of revenue. The social media channels help open communication with people who will not only buy your artwork but also help you spread the word to others, and that is where the true magic can happen.
Social Question: Check out the link below...
http://www.huffingtonpost.com/
Any thoughts about this article?
Are some artists overrated? Are some underrated?
I’m honestly not familiar with many of these artists in the article or the LA art scene. Critics and artists rarely agree on who is talented and who is not. In regards to some artists being overrated or underrated, I would say that it comes down to each individual artist’s own beliefs. We all secretly long for that one big break that propels us forward and gets are artwork noticed. However, personally I believe that as long as you are creating the art that you want to create and are happy, then you are successful. Keep creating your work and use the internet and social media to find like minded people and market to them. Let more people know about your work and keep creating.
What is the role of the artist in our society?
One of the biggest goals for me as an artist is imagination. I want to encourage in myself and in others, creativity, exploration, and imagination. Artists, writer, and creatives challenge society to think and dream of a better and brighter tomorrow.
Where do you see yourself as a artist in 5 years?I don’t have a set vision for myself in 5 years, other than making my living from my art. It is important for me to create a living out of what I love doing, rather than just having a job. My goal is to keep creating and improve my skills.
What are your ultimate goals as an artist?
My goal as an artist is to keep drawing and improve my skills. It has so many aspects. I want to create children’s books, short animations, more paintings, and be in more art shows. From a business standpoint, I need to really work harder on my promotional and marketing skills. The most important goal of all is to remember to have fun and enjoy the process.
What does art mean to you?
Art, for me, means happiness. It means doing something that brings me great joy and sharing it with the world. Hopefully others will like it, but if they do it is just icing on the cake, because first and foremost my artwork makes me happy.
LINKS ETC:
here are the links to Andy sites:
My Blog and website:
www.andymcnally.com
My Etsy store:
http://www.etsy.com/shop/
My Zazzle Shop:
http://www.zazzle.com/
ARTWORK:
I can provide my work in a range of sizes or file formats.
Here are links to my favorite recent creations:
Immovable:
http://andymcnally.com/
Atmosphere:
http://andymcnally.com/
Mysterious Ice Cream Shop
http://dailyjumble.com/
Tell us your story?
My name is Andy McNally and I’m an artist living in Tennessee. Unlike Davy Crockett, I did not know every tree or kill a bear at the age of 3, but I did know around that age that I wanted to be an artist. I’ve drawn and doodled for as long as I can remember. My mother and sister are both artistic, so I guess it runs in the family.
I’ve had many corporate jobs over the years, mostly as a corporate trainer and instructional designer, but I’m really happiest when I can be creative. Recently I decided to spend more time with my daughters, and to focus on my artwork. I’m not sure how it will go financially, but I can tell you from a personal stand point that I’m happier than ever.
Can talk about your own creative practice?
My creative practice varies. I don’t have a certain routine yet. I try to create something everyday. It could be a sketch on paper, a digital sketch, a watercolor, or making a digital illustration from an earlier sketch. Like all things in life, there are periods when I’m like clockwork and create something everyday, and periods where I lapse. I had to learn not to beat myself up about the days that I miss or I don’t get a chance to create. The important thing is to start back again at your first opportunity.
What role does humor play in your artwork?
Humor plays an important role in my work. Laughter and fun are a huge inspiration for my artwork, especially since my artwork is focused around children's illustration and imagination. Kids are one of the best teachers for looking at things from different perspectives, so I try to learn from their example. I try to find a happy and creative angle to use as a starting point for my illustrations. Often this means, taking an adult notion and trying to make it fun and humorous in order to return to the world of a child. For me the world of a child does not mean that you are only young in years, but you could also be young at heart or mind. The world has more than enough people who will keep it serious.
What and Who influences your work?
There are so many wonderful influences that have evolved over the years, so i will have to narrow it down. Many of my early influences are from my memories of Saturday morning cartoons growing up, so cartoons and animation have always heavily influenced my work. I always like the cartoon retro style of Hanna-Barbera, especially shows like the Jetsons. Some of the recent cartoon works that have influenced me are shows like Dexter’s Lab, The Powerpuff Girls, Samurai Jack, Foster’s Home for Imaginary Friends, and The Fairly Odd Parents to name a few.
What are the Pros and Cons of Blogging?
I think there are a few Cons for blogging like trying to get into a regular habit of updating and posting, but there are far more positives. One of the greatest things about the blogging platform is the ease of use. Since Blogs are a content management system, it is easy to change the theme and look to suit your taste. The focus is on creating new articles and posts. Creating a website can be a difficult process but Blogs make it almost pleasant. The other great thing that blogs do is help create more content, which equals more pages and hopefully more chances to be found as a search engine result. All and all, blogs are a fantastic way for artists to share their work and thoughts.
I think there are a few Cons for blogging like trying to get into a regular habit of updating and posting, but there are far more positives. One of the greatest things about the blogging platform is the ease of use. Since Blogs are a content management system, it is easy to change the theme and look to suit your taste. The focus is on creating new articles and posts. Creating a website can be a difficult process but Blogs make it almost pleasant. The other great thing that blogs do is help create more content, which equals more pages and hopefully more chances to be found as a search engine result. All and all, blogs are a fantastic way for artists to share their work and thoughts.
What role does the Internet and social media play in the world of (creativity) arts and the artist in 2010? What is the greatest thing about the internet and social media for an artist?
I think that the internet and social media are a critical element for independent artists. Both the internet and social media allow the artist an unprecedented way of finding an audience and a market for their work. Social media has replaced the once revered middle-man of the art industry, that use to charge a fee to find you a market. It is now possible for an artist to set up a website or blog and then use tools like Twitter, Facebook, and YouTube to find people who are interested and then turn that into a source of revenue. The social media channels help open communication with people who will not only buy your artwork but also help you spread the word to others, and that is where the true magic can happen.
Social Question: Check out the link below...
http://www.huffingtonpost.com/
Any thoughts about this article?
Are some artists overrated? Are some underrated?
I’m honestly not familiar with many of these artists in the article or the LA art scene. Critics and artists rarely agree on who is talented and who is not. In regards to some artists being overrated or underrated, I would say that it comes down to each individual artist’s own beliefs. We all secretly long for that one big break that propels us forward and gets are artwork noticed. However, personally I believe that as long as you are creating the art that you want to create and are happy, then you are successful. Keep creating your work and use the internet and social media to find like minded people and market to them. Let more people know about your work and keep creating.
What is the role of the artist in our society?
One of the biggest goals for me as an artist is imagination. I want to encourage in myself and in others, creativity, exploration, and imagination. Artists, writer, and creatives challenge society to think and dream of a better and brighter tomorrow.
Where do you see yourself as a artist in 5 years?
What are your ultimate goals as an artist?
My goal as an artist is to keep drawing and improve my skills. It has so many aspects. I want to create children’s books, short animations, more paintings, and be in more art shows. From a business standpoint, I need to really work harder on my promotional and marketing skills. The most important goal of all is to remember to have fun and enjoy the process.
What does art mean to you?
Art, for me, means happiness. It means doing something that brings me great joy and sharing it with the world. Hopefully others will like it, but if they do it is just icing on the cake, because first and foremost my artwork makes me happy.
LINKS ETC:
here are the links to Andy sites:
My Blog and website:
www.andymcnally.com
My Etsy store:
http://www.etsy.com/shop/
My Zazzle Shop:
http://www.zazzle.com/
ARTWORK:
I can provide my work in a range of sizes or file formats.
Here are links to my favorite recent creations:
Immovable:
http://andymcnally.com/
Atmosphere:
http://andymcnally.com/
Mysterious Ice Cream Shop
http://dailyjumble.com/
quintessential quotes
The pictures were painted directly through me, without preliminary drawings and with great power. I had no idea what the pictures would depict and still I worked quickly and surely without changing a single brush-stroke.
Hilma Af Klint
September 12, 2010
Wow! What a weekend!
Lisa and I had an ART-filled weekend (my favorite type!). The ARTcart was part of two events in and around the Bay Area.
Our first stop was on Friday night at the Fillmore Art Walk. There were vendors, musicians, local businesses with specials, art galleries, and lots more! The ARTcart was jam packed with folks ready to make art.
It was such a great feeling to watch people's eyes light up when they realized what we had to offer. They just jumped into a seat and started creating! The Fillmore is loving the ARTcart. We hope we can be a more permanent fixutre there sometime soon.
On Saturday, the ARTcart traveled to the Joyce Gordon Gallery in Downtown Oakland. On Saturday they held a community day filled with art and music. We had a great time.
The ARTcart is growing and we are having so much fun! Need an ARTcart in your neighborhood? Contact us and we'll come on over (Click HERE)! Or, make your own (click HERE).
To see more photographs and artwork from each event, check out our FACEBOOK page (Click HERE).
Thanks Bay Area for being so open to free art making!
September 10, 2010
The Art of Collecting Art.
I guess I get so caught up in making art, thinking about art, and looking at art that I forget people make a living buying art. I stumbled upon an article that delves out strategies for being a great art collector. Check it out HERE.
Some tips they give are: Acquaint yourself with the artist, frequent fairs, get drunk (:
It kind of made me giggle. I know I am in denial because I don't ever place art in the same category as, say, a baseball card, a car, stamps, coins, etc. But, I just don't like thinking of someone buying art as an investment. It gives me the willies. I am not against buying and selling art. I think it is funny that some people spend time learning the strategy for buying art. I thought it was, you like it you, you buy it? Right?
Because my brain goes on random tangents, this article about the strategies behind buying art made me think of a documentary I saw a few months back called The Art of the Steal.
It's about a man Dr. Albert Barnes who in his lifetime collected "181 Renoirs, 69 Cézannes, 59 Matisses, 46 Picassos and many other valuable paintings." This was a man who never consulted with anyone about the art he bought. He saw, liked it, and bought it. It so happens to be the most valuable collection in the world to date. Dr. Barnes had one wish for his collection; that it never be removed from the foundation he built for it and around it. Sadly, when the monetary value of the collection was revealed everyone wanted it. They did not want it for the reasons Dr. Barnes bought it; the price tag and the potential money making machine having the collection in hand would make was the driving force.
Here's what I want to know. Does an art collector get as nervous about buying art as I get about showing it?
Some tips they give are: Acquaint yourself with the artist, frequent fairs, get drunk (:
It kind of made me giggle. I know I am in denial because I don't ever place art in the same category as, say, a baseball card, a car, stamps, coins, etc. But, I just don't like thinking of someone buying art as an investment. It gives me the willies. I am not against buying and selling art. I think it is funny that some people spend time learning the strategy for buying art. I thought it was, you like it you, you buy it? Right?
Because my brain goes on random tangents, this article about the strategies behind buying art made me think of a documentary I saw a few months back called The Art of the Steal.
It's about a man Dr. Albert Barnes who in his lifetime collected "181 Renoirs, 69 Cézannes, 59 Matisses, 46 Picassos and many other valuable paintings." This was a man who never consulted with anyone about the art he bought. He saw, liked it, and bought it. It so happens to be the most valuable collection in the world to date. Dr. Barnes had one wish for his collection; that it never be removed from the foundation he built for it and around it. Sadly, when the monetary value of the collection was revealed everyone wanted it. They did not want it for the reasons Dr. Barnes bought it; the price tag and the potential money making machine having the collection in hand would make was the driving force.
Here's what I want to know. Does an art collector get as nervous about buying art as I get about showing it?
September 9, 2010
I am an Artist: Ricki L. Klages of Wyoming
The detail in Ricki Klages's paintings are what first caught my eye. Each time I go back again to look at them I make new discoveries. Her work is playful, fun and stimulating. Ricki took the time to answer a few questions for us. Tell us, and Ricki what you think!
Why are you an artist?
Being an artist feeds my soul.
What inspires you?
Nature and the land; gardening; my children; my students; other artists; storms and the sun afterwards.
Is your work influenced by Art History?
As a child I moved all over the world (Army family). I was able to see art from many cultures, but ultimately I am inspired by Victorian artists and their overblown narratives and heightened color. Art history is something all creative artists must know to understand where we came from and why we are where we are.
What is the role of color in your work?
I am Baroque in my color aesthetic. I understand color through oil paint and NEVER limit my use of color! Color is one of my ways of expressing the power of image and narrative.
Social Question: Check out the link below...
http://www.huffingtonpost.com/mat-gleason/ten-most-overrated-los-an_b_679441.html
Any thoughts about this article?
Well, sometimes the emperor has no clothes. I understand that a lot of current art is more related to hubris and hype than much real connection to the viewing public, and many viewers are willing to be led to an understanding of art that is very avant-garde through what others tell them. I think that the good will out and that work that is moving, startling, well conceived and executed, innovative and thought-provoking will always rise to the top.
Are some artists overrated? Yes
Are some underrated? yes
How does nature, the land, landscape,the environment affect our creativity?
It is where we all came/come from and I think it holds our (sometimes) unconscious connection to our humanity. Does it form it? I can speak for myself that these things hold real meaning for me as an artist and they affect my creativity very tangibly.
What is the role of the artist in our society?
Although the role of artists has changed through the centuries, I see the artists’ role now to be many things. They can include the commentator, the provoker, the educator, the decorator or the innovator. Sometimes the best includes all.
and in Wyoming?
Wyoming has a legacy of landscape, wind and cowboys. That is a strong influence on a lot of work coming out of this state. There are many who are drawn to the clarity of thought that isolation and quiet can provide and residing in a state that has that and a pure and stark beauty can establish a very creative environment that doesn’t always strictly adhere to creative work coming from more populous or obvious creative hubs. It encourages individualism.
Where do you see yourself as an artist in 5 years?
Better than I am now.
What are your ultimate goals as an artist?
To keep learning.
What does art mean to you?
Personal freedom and point of view. Beauty and magic and melancholy and joy.
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